See & Do

Construction begins on Saudi Arabia’s permanent home for contemporary art

As construction begins on the permanent site for the Saudi Arabia Museum of Contemporary Art, the Kingdom prepares to unveil a landmark of Najdi-inspired design that seeks to bridge the gap between regional heritage and the global avant-garde

BY /
1 May 26
IG: Godwin Austen Johnson
Designed by British architecture firm, Godwin Austen Johnson; Diriyah will be the permanent location of the Saudi Arabian Museum of Contemporary Arts
IG: Godwin Austen Johnson

In the heart of the historic Bujairi District in Diriyah, the foundations are being laid for an institution that will serve as the nation’s definitive home for modern creative expression. The Saudi Arabia Museum of Contemporary Art (SAMoCA) has transitioned from an ambitious concept into a large-scale architectural reality, following the awarding of a SAR 1.84 billion (£392 million) construction contract to a joint venture between the Saudi Arabian Albawani Company and Egypt's Hassan Allam Construction.

Render of SAMOCA Diriyah Riyadh Museum
Render of SAMOCA Diriyah Riyadh Museum
IG Godwin Austen Johnson
SAMOCA Diriyah Riyadh Museum via Godwin Austen Johnson 3

Render of SAMOCA Diriyah Riyadh Museum
Render of SAMOCA Diriyah Riyadh Museum
IG Godwin Austen Johnson
SAMOCA Diriyah Riyadh Museum via Godwin Austen Johnson 2

Renders of the Diriyah location for the Saudi Arabian Museum of Contemporary Art: IG - Godwin Austen Johnson (GAJ)

Designed by the British architectural firm Godwin Austen Johnson (GAJ), the permanent museum is not merely a gallery but a structural dialogue with the landscape. Spanning over 77,000 square metres, the building incorporates the "Najdi" style — the traditional mud-brick aesthetic of the Arabian Peninsula — reimagined through a contemporary lens of glass, stone, and light.

The move toward a permanent structure marks a significant maturation of the Saudi art scene. While Riyadh has seen a surge in temporary pop-ups and festivals, SAMoCA is designed for permanence, with a mission to document the evolution of Saudi art since the mid-20th century.

Jerry Inzerillo, Group CEO of Diriyah Company, highlighted the cultural weight of the project, stating that the museum will be a place where the Kingdom "invites global voices to engage with the Kingdom as it is today." This sentiment is reflected in the museum’s dual purpose: to act as a prestigious venue for international touring exhibitions while providing a rigorous academic and archival base for local creators.

A Prelude in the JAX District

Night of a lifetime exhibit JAX District 1

A Night of a Lifetime Exhibit: IG

While the permanent site takes shape, the museum’s soul is already active nearby in the JAX District. SAMoCA at JAX has functioned as an interim laboratory, hosting exhibitions that have begun to test the boundaries of local curation.

The most recent landmark show, 'A Night of a Lifetime', explored the cultural and emotional gravity of weddings through the eyes of over 30 artists. By showcasing provocative works from figures such as Moroccan artist Lalla Essaydi and Saudi pioneer Ayman Yossri Daydaban, the interim space has established SAMoCA’s reputation for tackling complex social themes through the medium of contemporary art.

A Night of a Lifetime Exhibit: IG

The project has achieved Mostadam Gold certification, a testament to the fact that the museum's physical footprint is as considered as its contents. The design ensures that the intense requirements of a world-class gallery — such as precise climate control for sensitive canvases and large-scale installations — are met with high energy efficiency.

A Global Anchor in Diriyah

The museum is positioned as a primary anchor within the wider US$63.2 billion Diriyah development. By situating the most modern of art forms within the most historic of settings, the Museums Commission is creating a deliberate contrast. As construction on the new permanent location is set to continue through 2026, the Saudi Arabia Museum of Contemporary Art stands as a symbol of the Kingdom’s cultural opening. It is a space designed not just for observation, but for the ongoing conversation between the deep traditions of the past and the unwritten stories of the future.


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